The silhouette/guillotine scene sets up Porky’s horror beautifully.
Davis’ layout artist was Don Smith, who disappeared after the unit folded. He may be the William D. Smith who worked for Harman-Ising in the ‘30s.
Thứ Sáu, 31 tháng 1, 2014
Pork Chops
The Art Davis unit went out on top with what was arguably its best cartoon, “Bye Bye Bluebeard” (released 1948). The story and gags are solid, the timing is tops and there are some neat layouts.
The silhouette/guillotine scene sets up Porky’s horror beautifully.
Davis’ layout artist was Don Smith, who disappeared after the unit folded. He may be the William D. Smith who worked for Harman-Ising in the ‘30s.
The silhouette/guillotine scene sets up Porky’s horror beautifully.
Davis’ layout artist was Don Smith, who disappeared after the unit folded. He may be the William D. Smith who worked for Harman-Ising in the ‘30s.
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