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Suddenly, TV antennas pop into view, filling the screen, showing how television had come to dominate 1950s small-town America.
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Avery was now experimenting with his version of limited animation, so the only movement in the first 20 seconds of the cartoon involves overlays and camerawork.
There’s no background credit on the cartoon. Johnny Johnsen was Tex’s background guy, but I can’t help but wonder if someone else (like Joe Montell or Vera Ohman) was responsible for this because of the more modern design.
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