When Carlo Vinci worked at the Hanna-Barbera cartoon factory in the late ‘50s, he used to draw a fear or shock take with two drawings—one of them with all kinds of things standing on end. The drawings would then be alternated, one per frame, until the effect sunk in.
Vinci no doubt picked up the idea animating in New York. The same effect appears in the Betty Boop cartoon “The Impractical Joker” (1937). Betty is scared by obnoxious Irving’s snake-in-a-pipe.
Tom Johnson and Frank Endres get the animation credits. Tom and his wife Marina both worked at the Fleischer studio (the 1940 U.S. Census lists him as a director and her as a checker). Frank and his wife Ann also both worked at the studio. You can read about him at Bob Jaques’ fine site here.
Thứ Năm, 11 tháng 10, 2012
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