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No doubt Harris was happy to settle down with Benny and give up the grind of touring. The Galveston News wrote about a Harris stop in its June 15, 1933 edition; it was a big deal and the paper had a number of Harris stories over several weeks.
HOLLYWOOD HOLDS BRILLIANT OPENING WITH PHIL HARRIS' ORCHESTRA; CROWD ATTENDS
With all the brilliance, pomp and ceremony that goes with a Hollywood first-night and amid a scene of splendor and beauty, Hollywood Dinner Club opened its eighth summer season last night to a packed house, with hundreds being turned away.
It was the moat colorful and successful premier from every viewpoint in the history of the popular west end theater-restaurant. Newly decorated in rare good taste and with a new Frigidaire cooling system the smart, fashioned crowd was thrilled by the appointments and the entertainment of Manager Sam Maceo as they danced, dined and made merry within a veritable forest of flowers.
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While Harris did not have any of the movie stars present in person, they were there in spirit. More than a hundred telegrams were displayed from big names in the picture industry who wished Phil luck in his first appearance away from California. Included in the lot were messages from Wallace Beery, Robert Montgomery, Ruth Chatterton, Maurice Chevalier, Gary Cooper, Kay Francis, Anson Weeks, Ginger Rogers, James Cagney, Edwin G. Robinson, Richard Bathelmess and scores of others. Baby Leroy, the tot in Maurice Chevalier’s “A Bedtime Story,” sent this message: “ ‘Ga Ga Goo Club,’ which means ‘Whatever Mr. Chevalier says goes for me, too.’ ”
To single out any particular number that Phil Harris did best would be difficult indeed. The-first night crowd apparently liked everything he offered and cried for more. “Tea for Two,” done with Leah Ray; “Love Tales,” a number that West coast radio critics chose three times in a row as the outstanding number of the week, “It Happened to Me,” theme song from "So This is Harris,” and “Isn’t This a Night for Love,” the theme song from the picture “Melody Cruise,” in which Harris is starred and which will come to the Martini Theater Saturday, were well received.
Harris has some fine arrangements of dance tunes and most of those played were new and taken from current New York musicals and motion picture hits.
Leah Ray, lovely in a black and white lace gown, scored an individual hit and undoubtedly will become as great a favorite here as she was in California. Though still in her teens, she is a finished artist and has a style that wins her audience without a struggle.
Phil Harris’ Ambassadors is another feature with the orchestra that clicked strongly. This trio make a nice appearance and harmonize perfectly.
If one may judge by his reception last night, Phil Harris is due for a highly successful month’s engagement here.
Harris and the band will broadcast four times weekly over KPRC, Houston, and the same outlet will be used when he begins his national network broadcasts June 23.
Harris debuted on the Benny show on October 4, 1936. It look a while for the writers to get his character in place; he was kind of a jerkish antagonist to Benny at first. It really sounds painful. Eventually, they had to realise “mean” didn’t work, and that any put-downs of Jack had to be humorous, if not deserved. Harris became the self-absorbed, carefree, alcohol-friendly, illiterate braggart, one of radio’s great characters.
There was little fanfare about Harris’ arrival, nor much speculation about who would replace Johnny Green as the show’s orchestra leader. The Wisconsin State Journal of October 8th sums up all I’ve been able to find in papers of the day:
Phil Harris won the band assignment for the Jack Benny program after a long series of eliminations. Benny was unable to make his mind up as to which of three band leaders he would take and was won over by hearing Harris play in Los Angeles. Benny is also to have another new stooge in the person of Patsy Flick, who was on the Mutual network last year as a dialectician.
Band leader was Harris’ first career, radio star was his second. His fourth was voice actor for Disney as a couple of casual characters. Harris as Baloo singing “The Bare Necessities” may be the highlight of “The Jungle Book.” In between was his third career, that of doting husband to Alice Faye, amateur golfer and someone who only worked when he wanted to, enjoying the good life in between. In a way, all his careers are interrelated, and all entertaining.
Here’s Wonga Philip Harris in his best animated role.
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